There’s nothing on the telly this Christmas.
There never is. Unless you’re searching for some hidden nuance in repeats of The Chase.
But if, like me, you have trouble switching off from work but also enjoy being slumped in front of the box with a tub of Quality Street, I have good news.
I’ve picked out ten films and TV shows released this year that either have something to say about higher education, are set on campus and/or depict contemporary student life.
You’ll laugh, you’ll cry, you’ll shell out for a VPN, you’ll get frustrated by torrent ratios, and you’ll almost certainly switch off, which is what the break is for – eventually.
It really was slim pickings this year from a UK perspective. Everyone talks a lot about how universities are portrayed “in the media”, but I think they mean on Newsnight or in the Telegraph. The sector will probably win more hearts and minds on Netflix, if anyone knows anyone that might be able to help.
Before you take to the comments, I’ve not put in books or podcasts. I do enough reading in this job, and I edit ours, so my appetite for either is fairly thin – but do pop suggestions below if there are any.
You’re welcome – and apologies in advance if you’re at work over the next couple of weeks.
If having worked in or around the sector you’ve not quite had your fill of toxic and manipulative relationships this year, the second season of Tell Me Lies is a good bet. Filmed largely on the picturesque campus of Agnes Scott College in Georgia, we’re whisked into a world of 2008 fashions, messy frat parties, tense dorm room interactions and academics’ office hours – all used to illustrate how central character Lucy Albright’s university experiences shaped her later life. It’s all a bit soapy, but the deep discomfort at having to hang out with your exes that campus life can require is very well played.
There are more depictions of dorm life in Sweethearts, a romantic comedy whose set-up centres on two friends breaking up with their girlfriends from home over a holiday weekend. It’s all a bit loaded lads retro – flying urine and a flaccid full-frontal give you a sense of the tone here – but treat it like gazing out of the window on a train, and you’ll take in some lovely interior scenes from Ramapo College in Mahwah, and some lush exterior shots from the Vermont College of Fine Arts.
This is a low-budget “feminist horror thriller” that follows a fraternity pledge who, during a brutal hazing ritual, is pressured to lose his virginity by leading a drugged girl upstairs at a party – something that has unexpected and increasingly disturbing consequences. It’s cleverly filmed, there’s a cracking soundtrack and it’s comically gruesome – until you remember that without the blood and gore of act three, it’s depicting an unsettlingly common scenario.
Yôji Minamimaru, the central character of Land of Tanabata, navigates all the typical challenges of being a student – academic life, social relationships, self-discovery, and a supernatural ability to create small holes in objects, something he shows off as the President of the New Skills Development Research Society. It’s an unlikely hook for a series, and the murder (of a professor) mystery that ensues is a struggle to stick with in this manga adaptation.
Two old friends enroll in an adult university, looking for adventure, love and fun. What could go wrong? Quite a lot, it seems, in this Dominican go at mature student life that drags up some particularly dated caricatures of women and LGBT+ people. I got about 15 minutes in before I was tired of the buffering.
What do you fancy watching. A drama? A rom-com? A thriller? An overdone Indonesian horror film based on a viral Twitter thread from 2016? On the assumption that it’s the latter, Dosen Ghaib: Sudah Malam atau Sudah Tahu (The Ghost Lecturer: Is It Night Already or Do You Already Know) follows four university students who fail the year and are required to enrol onto a catch-up module over the holiday, who pitch up only to get a message that the lecturer can’t make it – so who is the person already in the room? For clarity, it’s a murdery ghost man, not one of his PhD students.
You might remember a story from 2023 that involved an academic specialising in the social impacts of climate change avoiding air travel to minimise his carbon footprint – only to get sacked for doing so. The Researcher chronicles Gianluca Grimalda’s 40-day journey via trains, buses, and ships to reach his research site in Papua New Guinea. Maybe he was sacked for not using Key Travel to book it all.
Decades on from the end of apartheid, Afrikaans media is only just starting to break away from its historically conservative roots. Wyfie – opening up conversations about rape, sexuality and politics – caused quite a stir when it appeared in 2023, and this year’s second season of the show, about four mismatched university roommates at a womens’ residence at the fictional Eike University, takes things up a notch. It’s especially fascinating for the insights into university life – first-year initiation ceremonies, cheating on a test to maintain academic standing and a mother-and-daughter tea event all make it in, as does a whole bunch of drama over an annual photo of those in the halls. It’s especially good on both portraying and dramatising that “you befriend people that aren’t like you” cliche.
If all of these sensitive and revealing portrayals of student life are a bit woke for your liking, and you’ve never got around to reading The Coddling of the American Mind, you’ll be pleased to learn that you watch it now instead. The central conceit of the Lukianoff and Haidt viral article-cum-bestseller gains some visuals, voxpops and dramatic music here – but decent evidence for their claims, which to these eyes and ears is age-old generational indignation dressed up as science – is still in short supply. That said, the idea that pervasive racism, sexism, homophobia and transphobia are merely bad ideas that a good debate will solve is at least in the solid tradition of Christmas TV escapism.
This is set in Kota, Rajasthan – a city known as a hothousing hub for coaching centers that prepare students for India’s highly competitive IIT-JEE entrance exams. Back for a darker yet compelling third season this year, there’s plenty to learn here about the coaching system’s human impact as the focus shifts a little to draw in the coaches themselves and the choices made between the gifted students and everyone else. If there’s a fault with it, it’s the season ending – a crowbarred bit of plotting presumably designed to hang out the prospect of a fourth run.
Admissions were quite a big story in the US in 2023 – the supreme court banned the use of affirmative action policies that had been in place for decades – and Bad Genius plays into the slipstream by overlaying some higher education race politics to a remake of a Thai blockbuster from 2017. The plot centres around a clever student who helps her friends cheat on their entrance exams to reflect the struggles of first-generation Americans pressured to support their immigrant families. If you’re a fan of the original you’ll be wondering why they bothered – but given you’ve not seen the original, this is a fun way to while away an afternoon if you’re into watching the underdog poor outmaneuvering the rich.
Finally, (and no I’m not including One Day), I won’t have a word said against Big Boys, which had a criminally under-celebrated season 2 this year. The search for student housing, mental health, student sex work and plenty of students’ union activity all feature at Brent University, where Jack and Danny’s decidedly uncool struggles with the second year manage to be both laugh-out loud funny, heart-wrenching and revealing often all in the same scene. Set somewhere near Watford (and filmed largely on the Harrow campus of the University of Westminster), it’s the polar opposite of glamorous, and all the better for it.
